Child-Free Choice Celebrated in Comic Film ‘Babies’
The film ‘Babies’ introduces audiences to a Los Angeles couple, Annie and Aaron, embodied by Anna Kendrick and Seth Rogen. Directed by Lauren Miller Rogen, the comedy deftly explores the societal pressures surrounding the decision to have children, all through a humorous lens. The couple grapples with the common yet intrusive question: Will you have kids?
This question, often met with societal judgment, forms the core of the narrative. Despite living in a society that boasts acceptance of diverse life choices, those declining parenthood often feel the sting of regressive judgments. This societal undercurrent is one that’s all too familiar for Lauren Miller Rogen, who transforms it into a comedic exploration in her film.
‘Babies’ kicks off amidst a pool party turned child-centric gathering. Annie, through sporadic voiceovers, navigates the seesaw of emotions regarding parenthood. She oscillates between being charmed by children one moment and perturbed by their tantrums the next, illustrating the complexity of the decision at hand. Aaron, her easygoing husband, remains supportive yet seemingly indifferent to the outcome, giving Annie ample room to make a decision.
The story takes a twist when Eliza, Annie’s friend played by Kate Berlant, leaves her husband and temporarily moves in with her daughter. This situation tests Annie and Aaron’s potential leanings toward parenthood as the presence of a child in their home forces them to reconsider their stance.
Among a tapestry of characters, including Issa Rae as friend Becky, and brief but entertaining appearances from stars like Sharon Stone and Ashley Park, the film reflects the chaotic and occasionally sitcom-like nature of life decisions. Despite these varied subplots, the film centers on Annie and Aaron’s journey of self-discovery regarding family and children.
The film, with its witty dialogues and comic timing, recalls the signature style of Judd Apatow, albeit with a twist more personal to the director. While seeking to maintain a narrative engaging enough for mainstream audiences, ‘Babies’ also leaves space for those moments of genuine, unstructured conversation.
Ultimately, ‘Babies’ is both a reflection and a satirical commentary on the societal expectations tied to parenting, delivered through effective humor and relatable characters. Lauren Miller Rogen’s film promises both laughs and a gentle nudge for viewers to consider their own choices free of societal imposition.
Photo by Alex Bracken on Unsplash
